I am a director of new musicals and a passionate artistic leader, driven by one guiding question: Where is the joy?
STATEMENT
artistic

Joy shapes every room I enter, every story I tell, and every collaboration I pursue. My work centers on creating theater that is joyful, meaningful, and deeply human — whether I’m directing a classic musical comedy, a dark psychological thriller, or something entirely new.
I specialize in developing new musicals, with a particular love for musical comedy, family-oriented work, LGBTQ/queer stories, and high-stakes emotional storytelling. My rehearsal rooms prioritize connection, creation, and collaboration. I lead with curiosity, humor, play, and a deep respect for every artist’s voice. As a director, I don’t bring all the answers — I build spaces where great questions, sincere listening, and bold imagination can thrive.
Joy isn’t always about lightness and levity — it’s about resilience, generosity, and transformation. My own path through addiction and recovery has shaped how I lead: with empathy, purpose, and a fierce commitment to cultivating joy in even the most unexpected places.
I seek long-term relationships with writers, producers, and collaborators who want to build something lasting. For me, directing is not about control — it’s about co-creating a space where others shine; it’s about reminding myself, my collaborators, my artists, and my audiences why we fell in love with theater in the first place.
If the work we make together can offer one moment of joy that ripples outward into someone’s life, then that’s the kind of theater I want to keep making.
current
PROJECTS
bite-sized broadway
In production for the last few episodes of the 12-time award-winning podcast series, Bite-Sized Broadway, presented by IndieWorks Theatre Company!
sophia and the bee-man
Co-Lead Producer (with Judith Manocherian) and Director for a modern, magical, musical retelling of Frank R. Stockton's 135 year old story.
TO DIRECT
shows i'm excited
A Christmas Carol (Menken/Ahrens)
A Man of No Importance
A New Brain
Bare: A Pop Opera
Billy Elliot
BKLYN
Blood Brothers
Bonnie & Clyde
Conversations With Mother
Dogfight
Eugenius!
Freaky Friday
Fugitive Songs
Hedwig and the Angry Inch
High Fidelity
Honk!
Joseph & the Amazing Technicolor Dreamcoat
My Favorite Year
Next To Normal
Noises Off!
Parade
Ragtime
Seussical
Shakespeare’s R&J
Side Show
Something Rotten!
Sweet Charity
The Connector
The Fantasticks
The Inheritance (Parts 1 & 2)
The Grinning Man
The Light in the Piazza
The Nance
The Prince of Egypt
The Producers
The Prom
The Secret Diary of Adrian Mole Aged 13 3/4
The View Upstairs
The Wedding Singer
Torch Song
Thrill Me
Vanities: The Musical
What’s Wrong with Angry
Working: A Musical
Zanna, Don’t!
PRODUCTIONS
past
COLLABORATORS
words from

nicole perry
CHOREOGRAPHER,
INTIMACY DIRECTOR
“Christopher expertly links a clear vision and a collaborative process with both humor and humility. He truly embodies the idea that great art comes from artists, so artist care must be part of any creative process. He stands out for his kindness, commitment to the art of theatre, and vision of a better theatrical future. As a colleague and as a collaborator, I appreciate his leadership and commitment to making excellent, and safe, art. He truly is an asset to any creative team.”

ben tostado
ACTOR, DIRECTOR,
AD - PLAYLIGHT THEATER CO.
“Christopher Michaels is a master at musical comedy, both as an actor and as a director of the stage. He consistently brings to his productions a full box of innovative craft that lifts the work to thrilling heights. His rooms are warm, inviting, joyful, and encourage play. His composition is clean, purposeful, and manages to find the emotional sticking point that hits you in the gut or the funny bone, often both at the same time.”

kimberly vaughn
BROADWAY ACTRESS, DIRECTOR,
AD - KV PERFORMANCE STUDIO
"Christopher's understanding of story structure and how music affects emotion, united with his experience as both a comedic and serious musical theatre actor helps him direct musicals with great pacing, delivery, and comedic timing while tackling the more penetrating, disquieting circumstances of the character’s journey. He knows how to create a world in which the actors and audience live together, thus achieving the highest possible aim: the communion that is theatre at its best."

rebecca larkin
BROADWAY ACTRESS,
THEATER EDUCATOR
“Christopher brings great joy, passion, dedication, and a keen attention to detail to every project. He leads with warmth, empathy, and positivity, always! His ability to hold space for our humanity while still encouraging artistic excellence is a credit to both his skill as a director and his grace as a human being. I know I'll feel seen, appreciated, and creatively inspired whenever I have the pleasure of bringing his vibrant visions to life!”

gregory jafari vanacker
PLAYWRIGHT, LYRICIST,
CASTING DIRECTOR
“Christopher demonstrates a powerful drive to advance the development of original musical storytelling by and for diverse voices. He asks the right questions, includes the right collaborators, shares space and power, believes in the value of dramaturgy and elevating unheard artists, and has shown tremendous commitment to inclusion, challenging the format, and bringing new and exciting work to life in ways that allow others to participate and enjoy the process and results."

martin childers
MANAGING DIRECTOR
ISLAND CITY STAGE
"Christopher’s impact on our theatre was immediate and extraordinary. He was always thoroughly prepared, worked tirelessly, and delivered a first-class production that received critical acclaim and sold out its entire run. When a tech issue arose midway through, despite not being his direct responsibility, he quickly flewback to ensure it was resolved, demonstrating his exceptional commitment to the show’s success."
buzz from
THE PRESS
"Legends tend to grow with age. For this production, Island City Stage’s artistic director Andy Rogow tapped into our area’s own theatrical roots. He commissioned former local favorite turned successful NYC theater director and producer, Christopher Michaels, to direct the play. Michaels had starred as Nathan Leopold in Thrill Me’s South Florida regional premiere 12 years ago, a play Rogow himself directed. The two-man show places an incredible burden in the form of nonstop acting and singing upon its two leads. Who better to direct these characters than a multi-talented drama alumnus who’d lived through the experience himself?
The play’s tempo is often fast and furious, at times violently so, and there wasn’t a single misstep. For this we can thank the expertise of director Michaels."
- SOUTHFLORIDATHEATER.COM
"Under Michaels' astute direction, which leaves room for comic relief, the pair of actors assume positions that communicate their characters’ relationship to each other at given times. During a particularly heated exchange, the performers stand practically nose to nose and Loeb roughly handles Leopold. During another scene, the men are intensely and lengthily kissing each other. When Leopold senses a peaceful moment, he starts to smile or lean into Loeb to become intimate with him. However, at the last second, Loeb moves away or turns his expression to one of disapproval or anger. Also, at times, Loeb stands atop a structure such as a bench. This can symbolize how highly the character thinks of himself."
- FLORIDA THEATER ON STAGE
"The storytelling is creative and clear. The Giant Hoax is memorably staged by director Christopher Michaels to evoke this particular time period and this bizarrely entertaining story. The creative elements are outstanding and well coordinated.
The direction and performance of the ensemble is to be commended. Everyone seems to have a purpose to be onstage which enriches the entire viewing experience.
Stunning... Superb... A production that is thoughtful and imaginative."
- BROADWAYWORLD
"In IndieWorks’ staging of The Giant Hoax, seamless dialogue/eye/hand coordination makes the Cardiff Giant puppet worthy of any Julie Taymor production.
The expert hands of director Christopher Michaels and choreographer Molly Model are clearly at work in all aspects of this production, bringing a touching story with affable songs and clever lyrics to life with a cast of first rate actors, a fine ensemble, and inventive and humorous choreography... to fill the hearts of its audience to bursting, as long as actors of this production’s caliber are playing it."
- THEATRESCENE.NET
"The Giant Hoax is the first main stage production for IndieWorks Theatre Company and I look forward to seeing more of what they produce."
-THE TIME SQUARE CHRONICLE
"Beautifully orchestrated and realized, the music is first-rate, the lyrics extraordinarily clever. Christopher Michaels and Jonathon Lynch have done a fine job turning Ms. Grant’s excellent musical into a mainstage production... The Giant Hoax will empower current and future generations of children."
- THEATRE REVIEW NYC
"[In The Long Weekend,] Director Christopher Michaels had his hands full with four of the most messed-up passive aggressive characters to ever grace the same small arena. Michaels’s choice to incorporate a sitcom element is clever and appreciated... [The Stage Manager], working the boards in close proximity to the audience, adds to the TV show feel."
- FLORIDA THEATER ON STAGE