A CHRISTMAS CAROL
THE BROADWAY MUSICAL
Menken & Ahrens's big Broadway musical adaptation of the holiday classic
music | ALAN MENKEN
lyrics | LYNN AHRENS
book | MIKE OCKRENT & LYNN AHRENS
creative team
director | CHRISTOPHER MICHAELS
choreographer | RALPH MEITZLER
music director | BOBBY PEACO
set design | EVAN FRANK
costume design | WILLIAM IVEY LONG
lighting design | MATT GUMINSKI
sound design | JUSTIN THOMPSON
projection design | JOSIEU JEAN & KACEY KOPLOFF
wig design | TANNER PIPPERT
prop design | ASHLEY BERMAN
key art design | CHRISTOPHER MICHAELS
photographer | AMY PASQUANTONIO
videographer | KAY RENZ
cast
ebenezer scrooge | CHRIS EDWARDS
bob cratchIt | BRANDON CAMPBELL
marley's ghost | LARRY BUZZEO
lamplighter/christmas past | DRU LOMAN
sandwichboard man/
christmas present | DANIEL PIPPERT
blind hag/christmas future | MADELINE DUNN
mr. fezziwig/beadle/poulterer | TROY STANLEY
mrs. fezziwig/mrs. mops | BRITTE HAMMEKE
tiny tim | ISSA GONZALEZ, ARSLAN SHAMSUTDINOV
mrs. cratchit | SAMARA SHAVRICK
young ebenezer | ELIJAH REY
emily | CAILA KATZ
fred/scrooge's father | CAMERON POMEROY
sally/scrooge's mother | CASEY KUNMANN
mr. smythe | KEVIN ILARDI
grace smythe | EMERALD CARDEÑAS, NIA MACIAS
jonathon | LUKE SARGENT, CARTER SASS
ensemble | BIKTIMER SHAMSUTDINOV, BROOKE DEBEER, CAILA KATZ, CAMERON POMEROY, CAROLINE MACCHIAROLA, CADSEY REDEY, CHARLOTTE ROSCHER, DEBORAH KATZ, ELI FLYNN, ELIJAH REY, EYTAN DERAY, HANNAH COHEN, HEATHER SIMSAY, IZAIAH SCOTT, JADE EVORI MASTER, KEVIN ILARDI, LARRY BUZZEO, LIA BUDISH, LIONEL PRESS, LUNA CAPALDI, MADDOX MARQUINA, MARGARET TANNER, MICHAEL FONT, PATRICIA CHRISTINA GARCIA, SAGAN FLANZBAUM, SAMARA SHAVRICK, SYDNEY EMERSON
venue
the wick theatre
boca raton, florida
dates
november 28 - december 24 | 2025
synopsis
Ebenezer Scrooge is a prosperous curmudgeon who believes that personal wealth is far more valuable than the happiness and comfort of others. With an infuriated "Bah! Humbug!" Scrooge summates his feelings of Christmas tidings and charitable giving, but he's forced to face his selfish ways when three ghosts on Christmas Eve lead him through his Past, Present and Future. Thanks to their guidance, Scrooge recognizes his faults and greets Christmas morning with a cheerful "Happy Christmas" before spending the day reconnecting and sharing love with those that mean the most to him.
Broadway heavy hitters, Alan Menken (Disney's Beauty and the Beast, Disney's The Little Mermaid, Little Shop of Horrors) and Lynn Ahrens (Ragtime, Seussical, Once on This Island), breathe fantastic new life into the classic tale of A Christmas Carol in a spectacular, singing, and dancing holiday tradition perfect for the whole family.
press
"A Christmas Carol at The Wick is more than a retelling, it’s an experience. Under the debut direction of Christopher Michaels, the production moves with confident sweep and cinematic flair, capturing both the spectacle and intimacy of Scrooge’s long Christmas Eve journey.
...a visual feast where lush, full sets and opulent costumes create a Victorian world pulsing with life. Scene changes happen with seamless grace despite the abundance of moving parts. Nearly every inch of the stage teems with action, color, and precisely coordinated movement. The attention to detail is evident throughout, from its sumptuous costumes to its atmospheric lighting.
The overall feel of the evening is that of a big, warm holiday hug. With its timeless message, admirable visual storytelling, and a cast performing at the top of their game, A Christmas Carol honors tradition while delivering a fresh, spirited take on a holiday classic. This production is a joyful reminder of the magic and meaning of the season."
- SOUTH FLORIDA INSIDER
"Under Christopher Michaels’ thoughtful direction, the large, multigenerational cast mostly wins you over in their familiar roles. Michaels helps his actors strike a deft balance between the story’s darkness and light, the very tension that gives Dickens’s tale enduring power.
...key moments remain clear, such as Scrooge hoisting Tiny Tim atop his shoulder at the end and the boy’s heartfelt “God bless us, everyone.” These stage pictures make the production unforgettable."
- BERKSHIRE FINE ARTS
"Trust us when we say this recreation of the hit musical of Charles Dickens’ classic tale is the holiday event of the season. Director Christopher Michaels and Musical Director Bobby Peaco have teamed up to make The Wick’s production a hot ticket.
It’s not a case of if you’ve seen one A Christmas Carol, you’ve seen them all. Not by a long shot, because this one... is the one to beat."
- FLORDA THEATRE ON STAGE
"What a sparkling, fun and fa-la-la-la-frolicsome way to celebrate the season. "
- SOUTH FLORDA THEATRE MAGAZINE
a note from the director
Charles Dickens wrote A Christmas Carol in 1843 as a rallying cry for empathy in a time of staggering inequality and social unrest, when compassion was often dismissed as weakness, apathy was mistaken for strength, and the gap between rich and poor widened day by day.
Sound familiar? Nearly two centuries later, that call still echoes across our own America, a nation divided by fear and anger, where kindness is labeled radical and self-interest often shouts louder than empathy.
Though A Christmas Carol is wrapped in the imagery of Christmas, its message reaches far beyond any one religion or creed. At its heart, Dickens’s novella is not about doctrine but about humanity and transformation; the idea that no one, not even the most stubborn soul, is beyond the reach of compassion, the renewal of hope, or the rediscovery of joy.
We don’t experience compassion, hope, and joy despite the world's pain, we experience them as a response to it. It's a defiant choice to connect, listen, and believe that goodness can still ripple outward in an often cold and divided world. Scrooge's journey is not just personal; it's communal. His redemption matters because it reconnects him to others. His transformation is measured not by how he feels, but by how he acts. He moves from isolation to community, from apathy to empathy, from guarding himself to generous living. In that transformation, we see what we must strive for too: a society built not on fear and division, but on understanding, empathy, and shared humanity.
So I invite every audience member, regardless of faith or belief, to watch this performance and truly see themselves in Scrooge’s journey. It is my sincerest hope that our joy extends beyond the stage and you leave the theatre with spirits a little softer, hearts a little lighter, and hands a little warmer, reminded that compassion and connection are not seasonal virtues but essential ones. And may we all be inspired to emerge from behind our ledgers and screens to perform radical acts of kindness. For even the smallest kindness can still light the darkest winter.
“God bless us, every one!”

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